Die Ölgemälde alles Philippe de Champaigne

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57266

A portrait of a man

mk255 for in 1650. Canvas 0.91 x 0.72 meters high. Paris, the Louvre

87641

Cardinal de Richelieu

oil on canvas, 1642 cjr

380

Cardinal Richelieu

Musee du Louvre, Paris

40487

Cardinal Richelieu

mk156 1650 Oil on canvas 222x155cm

43233

Cardinal Richelieu

mk170 circa 1637 Oil on canvas 259.7x177.8cm

20625

Cardinal Richelieu (mk05)

Canvas,87 1/2 x 100 1/2''(222 x 255 cm)Collection of the Duc de Penthievre at the Hotel de Toulouse,Paris;seized in the Revolution INV

85922

Christ au Mont des oliviers

1646(1646) and 1650(1650) Medium Oil on canvas cyf

68281

Ecce Homo

Description Ecce Homo Date XVIIe siecle Source/Photographer Huile sur toile

74238

eccehomo

Description Ecce Homo Date XVIIe siecle Source/Photographer Huile sur toile Permission (Reusing this file) See below. cyf

33607

Ex Voro

mk86 1662 Oil on canvas 165x229cm Paris,Musee National du Louvre

21585

Ex Voto (mk08)

1662 Oil on canvas, 165x229cm Paris,Musee National du Louvre

94896

Ex Voto de

1662(1662) Medium oil on canvas Dimensions 165 x 229 cm cyf

40500

Ex-Voto

mk156 1662 Oil on canvas 165x229cm

81890

Jean Antoine de Mesmes

1653(1653) Medium Oil on canvas Dimensions Height: 2.23 m (2.4 yd). Width: 1.62 m (1.8 yd). cyf

385

Jean Baptiste Colbert

Metropolitan Museum of Art, New York

97266

Jean Baptiste de Champaigne

oil on canvas Date 1654(1654) cyf

78810

Jean-Antoine de Mesmes, president of Paris'Parliament.

1653(1653) Oil on canvas Width: 1.62 m (1.8 yd). Height: 2.23 m (2.4 yd). cjr

20951

La Petite Cene (The Last Supper) (san 05)

Canvas 31 1/2 x 58 1/2''(80 x 149 cm)Collection of Louis XVI;acquired by the Louvre in 1777 INV 1125 (MN)

82463

Le Christ au Mont des oliviers

Date between 1646(1646) and 1650(1650) Medium Oil on canvas cjr

78854

Les enfants Habert de Montmor

1649(1649) Medium Oil on canvas cyf

79541

Les enfants Habert de Montmor

1649(1649) Medium Oil on canvas cyf

64392

little girl with falcon

1628 paris, louvre

28738

Louis XIII of France

mk61 1665 Oil on canvas 108x86cm

28423

Moses with th Ten Commandments

mk60 Oil on canvas 36x28"

383

Moses with the Ten Commandments

The Hermitage, St.Petersburg

30586

Mother Catherine Agnes and Sister Catherine Sainte-Suzanne

mk68 Oil on canvas 5' 1/2x7'4" Paris,Louvre 1662 France

97265

Nicolas de Plattemontagne

oil on canvas Date 1654(1654) cyf

83319

Portra des Henri Groulart

1654 Medium Oil on canvas Dimensions Deutsch: 92,5 x 75,5 cm cyf

81006

Portrait de Monseigneur Pierre de Bertier

Date 17th century Medium Oil cjr

83136

Portrait de Monseigneur Pierre de Bertier

17th century Medium Oil cyf

29524

Portrait of a Man

1650 Oil on canvas, 91 x 72 cm

20620

Portrait of a Man (mk05)

Canvas 36 x 28 1/4''(91 x 72 cm)Acquired in 1806

377

Portrait of a Man _5

1650 Musee du Louvre, Paris

82668

Portrait of Jacques Lemercier

17th century Medium Oil on canvas cyf

76875

Portrait of Jacques Lemercier (1585-1654), Lemercier's Sorbonne in the background.

17th century Oil on canvas cjr

378

Portrait of Robert Arnauld d'Andilly

Musee du Louvre, Paris

20624

Portrait of Robert Arnauld d'Andilly (mk05)

Canvas 31 x 25 1/2(79 x 65 cm)Given in 1979

74614

Saint Augustin

1645-1650 Oil on canvas 78.7 x 62.2 cm cjr

74626

Saint Augustin

1645-1650 Oil on canvas 78.7 x 62.2 cm cjr

76148

Saint Augustin

Date 1645-1650 Medium Oil on canvas Dimensions 78.7 x 62.2 cm cyf

76160

Saint Augustin

Date 1645-1650 Medium Oil on canvas Dimensions 78.7 x 62.2 cm cyf

86141

Saint Bernard Philippe de Champaigne Saint Etienne du Mont

Date 17th century Medium Oil on canvas cjr

90178

Saint Etienne du Mont

17th century Medium oil on canvas cyf

75877

Still Life with a Skull

Still-Life with a Skull (Oil on panel, 28 x 37 cm) cyf

74544

Still-Life with a Skull

Still-Life with a Skull (Oil on panel, 28 x 37 cm) cjr

376

The Aldermen of the City of Paris

1648 Musee du Louvre, Paris

29518

The Annunciation

c. 1645 Oil on canvas, 334 x 214 cm

379

The Dead Christ

Musee du Louvre, Paris

20621

The Dead Christ (mk05)

Wood 27 x 77 1/2''(68 x 197 cm)Painted for the Abbey of Port-Royal des Champs Transferred to Port-Royal in Paris in 1710;seized in the Revolution INV

374

The Ex-Voto of 1662

1662 Musee du Louvre, Paris

381

The Last Supper 2

Musee du Louvre, Paris

5997

The Marriage of the Virgin

c. 1644 Oil on panel, 71,5 x 143,5 cm Wallace Collection, London

375

The Miracles of the Penitant St.Mary

1656 Musee du Louvre, Paris

20623

The Miracles of the Penitent St Mary (mk05)

Canvas 86 1/4 x 132 1/4''(219 x 336 cm)Painted in 1656 for the apartment of Anne of Austria in the Val-de-Grace Paris Seized in the Revolution INV

384

The Nativity

1643 Musee des Beaux Arts, Lille

51726

The Nativity

nn09 1643 OIl on canvas 207x116cm

51032

The Presentation of the Temple

1648 Oil on canvas, 257 x 197 cm

76912

Triple Portrait of Cardinal de Richelieu

Date probably 1642(1642) Medium Oil on canvas Dimensions 58.7 ?? 72.8 cm (23.1 ?? 28.7 in)[1] cyf

382

Triple Portrait of Richelieu

The National Gallery, London

Philippe de Champaigne

1602-1674 Philippe de Champaigne Locations His artistic style was varied: far from being limited to the realism traditionally associated with Flemish painters, it developed from late Mannerism to the powerful lyricism of the Baroque. It was influenced as much by Rubens as by Vouet, culminating in an aesthetic vision of the world and of humanity that was based on an analytic view of appearances and on psychological truth. He was perhaps the greatest portrait painter of 17th-century France. At the same time he was one of the principal instigators of the Classical tendency and a founder-member of the Acadmie Royale de Peinture et de Sculpture. His growing commitment to the Jansenist religious movement (see JANSENISM) and the severe plainness of the works that it inspired has led to his being sometimes considered to typify Jansenist thinking, with its iconoclastic impulse, in spite of the opposing evidence of his other paintings. He should be seen as an example of the successful integration of foreign elements into French culture and as the representative of the most intellectual current of French painting.

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